This richly illustrated publication explores the paintings made in the last decade of Hoyland’s life, including his final series The Mysteries. Essays by Natalie Adamson, David Anfam, Matthew Collings and the late Mel Gooding discuss his veneration of Van Gogh, his connections to Turner and his development of the visual language of the Abstract Expressionists.
Edited by Sam Cornish, Sophie Kullmann and Wiz Patterson Kelly