John Hoyland

SELECTED PUBLICATIONS

Arckus, Anthony Leon (introduction), Pittsburgh International (catalogue), Carnegie Institute, Pittsburgh, 1970
Billam, Michael (introduction), John Hoyland, Prints & Monotypes 1979-1983 (catalogue), Waddington Graphics, London 1983
Bowness, Alan (introduction), Recent British Paintings (catalogue), Whitechapel Gallery, London, 1967
Brett, Guy, ‘John Hoyland’ in X Bienal de São Paulo Gra-Bretanha 1969 (catalogue), British Council/Lund Humphries, London, 1969
Compton, Michael, ‘John Hoyland’ in Contemporary Artists, St James’s Press, London, 1989
Gooding, Mel, ‘John Hoyland’, John Taylor/Lund Humphries, 1990; The Poetic Trace: Aspects of British Abstraction since 1945 (catalogue), Adelson Galleries, New York, 1992; John Hoyland in the 1960s (catalogue), Neville Keating Pictures Ltd, London, 2001
Harrison, Charles, ‘John Hoyland’ in X São Paulo Biennale 1969 (catalogue), Brazil, 1969
Hoyland, John, ‘Hans Hofmann – An Appreciation’ in Hans Hofmann: Late Paintings (catalogue), Tate Gallery, London, 1988
Hoyland, John, The Dialectics of Vision: Hoyland’s Bali Paintings (catalogue), Theo Waddington, London 1995
John Hoyland (catalogue), Waddington Galleries, London 1973
John Hoyland (catalogue), Galeria Modulo, Lisbon, 1976
John Hoyland (catalogue), Waddington Galleries, London, 1981
John Hoyland (catalogue), Waddington Galleries, London 1985
John Hoyland: Paintings (catalogue) Waddington Galleries, London, 1969
John Hoyland: Paintings (catalogue), Waddington Galleries, London, 1970
John Hoyland: Recent paintings (catalogue), Waddington Galleries, London, 1971
Lambirth, Andrew, ‘John Hoyland: Scatter the Devils’, Unicorn Press 2009
Lucie-Smith, Edward, British Painting and Sculpture 1960-1970 (catalogue), National Gallery of Art, Washington DC, 1970
Lynn, Elwyn, ‘Hoyland – Then and Now’ in John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980
Lynton, Norbert, ‘British Art Today’ in Smithsonian, vol. 1, no. 8, November 1970; (introduction) John Hoyland (catalogue), Beaux Arts, London, 2003
Maloon, Terence, ‘Hoyland Retrospectively’ in John Hoyland, Paintings 1967-1969 (catalogue), 1979
Maloon, Terence and John Edwards, ‘Two Aspects of John Hoyland’ in One, no. 2, 1974
Marginson, R.D., (foreword) John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980
McEwen, John, ‘Colour as Form’ in John Hoyland, Paintings 1967-1979 (catalogue), Arts Council, 1979; ‘Colour as Form’ in John Hoyland, Paintings Australia 1980, (catalogue), University Gallery, University of Melbourne 1980; ‘John Hoyland: new paintings, 1986’ in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991
Moffat, Alexander, ‘Reinventing the Real World’ in The British Art Show (catalogue), Orbis/Arts Council, London, 1984
Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999
Read, Herbert, Contemporary British Art, Penguin Books, London, 1964
Robertson, Bryan (introduction), Paintings 1960-67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell’Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967-1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One – British Art (catalogue), Gallery Fine, London, 1999
Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965
Thompson, Colin, ‘The Importance of the Maclaurin Trust Collection’ in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr
Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964
Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983
Wright, Philip (introduction), John Hoyland, Prints 1968-89 (catalogue), Austin/Desmond Fine Art, London, 1990

SELECTED PRESS

Alley, Ronald, ‘The Sebastian Ferranti Collection’ in Studio International, January 1970
Alleyne, Sylvan, ‘John Hoyland’ in Root, June 1983
Allthorpe-Guyton, Marjorie, ‘John Hoyland’ in Arts Review, 13 May 1983
Bardo, Arthur, ‘Portrait of the Artist’ in Montreal Star, 7 February 1970
Basham, Anna, ‘British Painting in the 1960s and ‘70s – Ramsgate Library Gallery’ in Arts Review, 5 May 1989
Batchelor, David, ‘John Hoyland – Waddington’ in Artscribe International, May 1987
Beaumont, Mary Rose, ‘The British Art Show’ in Arts Review, 23 November 1984; ‘Waddington Galleries – John Hoyland, Kenneth Noland, David Tremlett’ in Arts Review, 23 October 1981
Bell, Gavin, ‘Top award for casual printing’ in The Times, 11 February 1987
Bisson, Roderick, ‘Confused? It’s a struggle’ in Post, 25 November 1982
Bowen, Denis, ‘John Hoyland’ in Arts Review, 14 November 1975
Brett, Guy, ‘John Hoyland’, in The Times, 26 May 1969
Burn, Gordon, ‘Which One Will Win £25,000?’ in Sunday Times Magazine, 8 February 1987;‘Walking the plank’ in The Guardian (Weekend), 25 September 1999
Burr, James, ‘Functionalism Humanised’ in Apollo, September 1978
Collier, Caroline, ‘Hoyland Harvest’ in Studio International, no. 1005, vol. 197, 1984
Cumming, Hugh, ‘Contemporary British Artists’ in Art & Design, February 1987
Dorment, Richard,‘The abstract language of colours’ in The Daily Telegraph, 11 February 1987
Faure Walker, James, ‘Painting at the Hayward’ in Artscribe, no. 8, 1977; ‘John Hoyland and the Hayward Annual’ in Artscribe, no. 24, August 1980
Feaver, William, ‘Painting Prose’ in The Observer, 17 October 1976; ‘The Many Sides of Moynihan’ in The Observer, 10 September 1978; ‘Demon Colourist: John Hoyland at the Serpentine’ in The Observer, 7 October 1979; ‘White Russian Hope’ [includes review of Waddington Galleries exhibition] in The Observer, 11 October 1981; ‘What’s Time to a Pig?’ in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; ‘English Expressionism’ (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; ‘Landscapes of the mind’ in The Observer, 24 April 1995
Finch, Liz, ‘Painting is the head, hand and the heart’, John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984
Findlater, Richard, ‘A Briton’s Contemporary Clusters Show a Touch of American Influence’ in Detroit Free Press, 27 October 1974
Forge, Andrew, ‘Andrew Forge Looks at Paintings of Hoyland’ in The Listener, July 1971
Fraser, Alison, ‘Solid areas of hot colour’ in The Australian, 19 February 1980
Freke, David,‘Massaging the Medium’ in Arts Alive Merseyside, December 1982
Fuller, Peter, ‘Hoyland at the Serpentine’ in Art Monthly, no. 31
Garras, Stephen, ‘Sketches for a Finished Work’ in The Independent, 22 October 1986
Gosling, Nigel, ‘Visions off Bond Street’ in The Observer, 17 May 1970
Graham-Dixon, Andrew, ‘Canvassing the abstract voters’ in The Independent, 7 February 1987; ‘John Hoyland’ in The Independent, 12 February 1987
Griffiths, John, ‘John Hoyland: Paintings 1967-1979’ in The Tablet, 20 October 1979
Hall, Charles, ‘The Mastery of Living Colour’ in The Times, 4 October 1995
Harrison, Charles, ‘Two by Two they Went into the Ark’ in Art Monthly, November 1977
Hatton, Brian, ‘The John Moores at the Walker Art Gallery, Liverpool’ in Artscribe, no. 38, December 1982
Heywood, Irene, ‘John Hoyland’ in Montreal Gazette, 7 February 1970
Hilton, Tim, ‘Hoyland’s tale of Hofmann’ in The Guardian, 5 March 1988
Hoyland, John, ‘Painting 1979: A Crisis of Function’ in London Magazine, April/May 1979; ‘Framing Words’ in Evening Standard, 7 December 1989; ‘The Famous Grouse’ in Arts Review, October 1995
Januszcak, Waldemar, ‘Felt through the Eye’ in The Guardian, 16 October 1979; ‘Last Chance’ in The Guardian, 18 May 1983; ‘Painter nets £25,000 art prize’ in The Guardian, 11 February 1987; ‘The Circles of Celebration’ in The Guardian, 19 February 1987
Kennedy, R.C., ‘London Letter’ in Art International, Lugano, 20 October 1971 Kent, Sarah, ‘The Modernist Despot Refuses to Die’ in Time Out, 19-25, October 1979
Key, Philip, ‘This Way Up and It’s Art; Key Previews the John Moores Exhibition’ in Post, 25 November 1982
Kramer, Hilton, ‘Art: Vitality in the Pictorial Structure’ in New York Times, 10 October 1970
Lehmann, Harry, ‘Hoyland Abstractions Boldly Pleasing As Ever’ in Montreal Star, 30 March 1978
Lucie-Smith, Edward, ‘John Hoyland’ in Sunday Times, 7 May 1970; ‘Waiting for the click…’ in Evening Standard, 3 October 1979
Lynton, Norbert, ‘Hoyland’, in The Guardian, [month] 1967
MacKenzie, Andrew, ‘A Colourful Champion of the Abstract’ in Morning Telegraph, Sheffield, 9 October 1979
Mackenzie, Andrew, ‘Let’s recognise city artist’ in Morning Telegraph, Sheffield, 18 September 1978
Makin, Jeffrey, ‘Colour . . . it’s the European Flair’ in The Sun, 30 April 1980
Maloon, Terence, ‘Nothing succeeds like excess’ in Time Out, September 1978
Marle, Judy, ‘Histories Unfolding’ in The Guardian, May 1971
Martin, Barry, ‘John Hoyland and John Edwards’ in Studio International, May/June 1975
McCullach, Alan, ‘Seeing it in Context’ in The Herald, 22 May 1980
McEwen, John, ‘Hoyland and Law’ in The Spectator, 15 November 1975; ‘Momentum’ in The Spectator, 23 October 1976; ‘John Hoyland in mid-career’ in Arts Canada, April 1977; ‘Abstraction’ in The Spectator, 23 September 1978; ‘4 British Artists’ in Artforum, March 1979; ‘Undercurrents’ in The Spectator, 24 October 1981; ‘Flying Colours’ in The Spectator, 4 December 1982; ‘John Hoyland, new paintings’ in The Spectator, 21 May 1983; ‘The golden age of junk art: John McEwen on Christmas Exhibitions’ in Sunday Times, 18 December 1984 ;‘Britain’s Best and Brightest’ in Art in America, July 1987; ‘Landscapes of the Mind’ in The Independent Magazine, 16 June 1990; ‘The Master Manipulator of Paint’ in Sunday Telegraph, 1 October 1995; ‘Cool dude struts with his holster full of colours’ in The Sunday Telegraph, 10 October 1999
McGrath, Sandra, ‘Hangovers and Gunfighters’ in The Australian, 19 February 1980
McManus, Irene, ‘John Moores Competition’ in The Guardian, 8 December 1982
Morris, Ann, ‘The Experts’ Expert. The discerning palette’ in Observer Magazine, 15 May 1988
O’Hear, Anthony, ‘John Hoyland’ in Modern Painters, vol. 3, no. 2, Summer 1990
Oille, Jennifer, ‘John Hoyland’ in Art Monthly, November 1976
Oliver, W.T., ‘Prize abstracts’ in Art & Architecture, 6 December 1982
Overy, Paul ‘Colour’ in Art and Artists, November 1976
Packer, William, ‘David Bomberg + John Hoyland’ in Financial Times, 2 October 1979; ‘Paintings of sorts’ in Financial Times, 20 October 1981; ‘Open eyes, open minds’ in Financial Times, 12 March 1985
Painter, Colin, ‘John Hoyland talks to Colin Painter’ in Aspects, no. 16, Autumn 1981
Peters, Toby, ‘John’s little moment of glory’ in City of London Recorder, 19 February 1987
Petherbridge, Deanna, ‘A Walk through the Academy Galleries’ in Art Monthly, February 1983
Pincus-Witten, Robert, ‘New York: John Hoyland’ in Artforum, December 1970
Prendeville, Brendan, ‘British Painting in Common View’ in Artscribe, no. 8, 1977
Richards, Margaret, ‘Multi-coloured lavishness’ in Tribune, 12 October 1979
Riley, Joe, ‘Lucky 13 – It’s a Winner for John!’ in Liverpool Echo, 24 November 1982
Roberts, John, ‘Hoyland at the Serpentine’ in Artscribe, November; ‘Morality, Postmodernism and the Pursuit of Metaphor: The British Art Show’ in Artscribe, no. 49, November/December 1984
Robertson, Bryan, ‘Looking for Hoyland’ in The Spectator, 2 July 1977; ‘John Hoyland, Bridget Riley, Paul Huxley’ in Harpers and Queen, October 1978; ‘The finally inexplicable’ in The Independent, 5 April 1994
Rooney, Robert, ‘Hoyland Squeezes out last Desperate Drops’ in Age, 30 May 1980
Russell, John, ‘The English Conquest’ in Sunday Times, 11 February 1973; ‘New Paintings by John Hoyland’ in New York Times, 9 February 1979
Russell Taylor, John, ‘John Hoyland’ in Art and Artists, November 1981
Schilling, Sally-Ann, ‘On Colour – John Hoyland in conversation with Sally-Ann Schilling, The Artist, September 1986
Searle, Adrian, ‘Interview with John Hoyland’ in Artlog, no. 3, 1978-9
Seymour, Anne, ‘Subtle Barriers’ in Spectator, 3 May 1970
Sgubbi, Gianfranco, ‘London’ in Juliet Art Magazine, June/October, no. 21, 1980
Shepherd, Michael, ‘Colour Magic’ in The Observer, October 1979; ‘The Liverpool Look’ in Sunday Telegraph, 2 January 1982; ‘Art: The Liverpool Look’ in Sunday Telegraph, 2 January 1983
Spalding, Frances, ‘John Hoyland’ in Arts Review, 12 October 1979
Spurling, John, ‘Totems’ in New Statesman, 22 October 1976; ‘Curtained off’ in New Statesman, 22 September 1978; ‘Campaigns in Colour’ in New Statesman, 12 October 1979
Sweet, David, ‘John Hoyland at Waddingtons’ in Artscribe, no. 41, June 1983 ‘The British Art Show’ in Art Monthly, December 1984/January 1985
Theriault, Normund, ‘Hoyland: Je suis un reactionnaire’ in La Presse, Montreal, 7 February 1970
Titterington, Chris, ‘John Hoyland at Waddingtons’ in Artscribe, December 1981
Usherwood, Nicholas, ‘Old Boys’ in R.A. Magazine, no. 9, Winter 1985
Vaizey, Marina, ‘British Painting: a Progress Report’ in Sunday Times, 25 September 1977; ‘John Hoyland’ in Sunday Times, 10 September 1978; ‘Eight from England: Images that make themselves’ in ARTnews, January 1980; ‘Art’ (review of John Moores Liverpool Exhibition) in Sunday Times, 26 November 1982; ‘Between painting and sculpture’ in Sunday Times 22 May 1983; ‘British art: the schools go comprehensive’ in Sunday Times, 4 November 1985; ‘Zoomin wins the glittering prize’ in The Sunday Times, 15 February 1987
Van Joel, Mike, ‘Hoyland at Home’ in Art Line, no. 4, February 1983
Vaughan Winter, Simon, ‘The Eyes Have It – and How’ in Evening News, 6 October 1979
Walker, John, ‘John Hoyland and Bob Law’ in Studio International, January/February 1976
Westfall, Stephen, ‘John Hoyland at Lever/Meyerson’ in Art in America, no. 1, January 1988
Wolfram, Eddie, ‘Review’, in Ink, 1 July 1971
Wright, Barbara, ‘John Hoyland’ in Arts Review, 15 September 1978